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LOST シーズン1～6 COMPLETE DVD-BOX
LOST シーズン1～6 COMPLETE DVD-BOX
本物の画像についてもっとを見る	通常価格:￥39,800 特別価格: ￥23,840 制作国：日本 監督 ：J・J・エイブラムス 出演/声の出演 ：マシュー・フォックス エヴァンジェリン・リリー ジョシュ・ホロウェイ ドミニク・モナハン イアン・サマーホルダー 吹き替え/字幕： 日本語音声/日本語字幕 ディスク枚数：54枚組

Lady Chatterlay's Lover 0001

Chapter 1
Ours is essentially a tragic age, so we refuse to take it tragically.
The cataclysm has happened, we are among
the ruins, we start to build up new little habitats, to have new little
hopes. It is rather hard work: there is now
no smooth road into the future: but we go round, or scramble over
the obstacles. We've got to live, no matter
how many skies have fallen.
This was more or less Constance Chatterley's position. The war had
brought the roof down over her head. And
she had realized that one must live and learn.
She married Clifford Chatterley in 1917, when he was home for a
month on leave. They had a month's
honeymoon. Then he went back to Flanders: to be shipped over to
England again six months later, more or
less in bits. Constance, his wife, was then twenty-three years old,
and he was twenty-nine.
His hold on life was marvellous. He didn't die, and the bits seemed
to grow together again. For two years he
remained in the doctor's hands. Then he was pronounced a cure,
and could return to life again, with the lower
half of his body, from the hips down, paralysed for ever.
This was in 1920. They returned, Clifford and Constance, to his
home, Wragby Hall, the family 'seat'. His
father had died, Clifford was now a baronet, Sir Clifford, and
Constance was Lady Chatterley. They came to
start housekeeping and married life in the rather forlorn home of
the Chatterleys on a rather inadequate
income. Clifford had a sister, but she had departed. Otherwise
there were no near relatives. The elder brother
was dead in the war. Crippled for ever, knowing he could never
have any children, Clifford came home to the
smoky Midlands to keep the Chatterley name alive while he could.
He was not really downcast. He could wheel himself about in a
wheeled chair, and he had a bath-chair with a
small motor attachment, so he could drive himself slowly round
the garden and into the line melancholy park,
of which he was really so proud, though he pretended to be
flippant about it.
Having suffered so much, the capacity for suffering had to some
extent left him. He remained strange and
bright and cheerful, almost, one might say, chirpy, with his ruddy,
healthy-looking face, and his pale-blue,
challenging bright eyes. His shoulders were broad and strong, his
hands were very strong. He was expensively
dressed, and wore handsome neckties from Bond Street. Yet still in
his face one saw the watchful look, the
slight vacancy of a cripple.
He had so very nearly lost his life, that what remained was
wonderfully precious to him. It was obvious in the
anxious brightness of his eyes, how proud he was, after the great
shock, of being alive. But he had been so
much hurt that something inside him had perished, some of his
feelings had gone. There was a blank of
insentience.
Constance, his wife, was a ruddy, country-looking girl with soft
brown hair and sturdy body, and slow
movements, full of unusual energy. She had big, wondering eyes,
and a soft mild voice, and seemed just to
have come from her native village. It was not so at all. Her father
was the once well-known R. A., old Sir
Malcolm Reid. Her mother had been one of the cultivated Fabians
in the palmy, rather pre-Raphaelite days.
Between artists and cultured socialists, Constance and her sister
Hilda had had what might be called an
aesthetically unconventional upbringing. They had been taken to
Paris and Florence and Rome to breathe in
art, and they had been taken also in the other direction, to the
Hague and Berlin, to great Socialist
conventions, where the speakers spoke in every civilized tongue,
and no one was abashed.
The two girls, therefore, were from an early age not the least
daunted by either art or ideal politics. It was their
natural atmosphere. They were at once cosmopolitan and
provincial, with the cosmopolitan provincialism of
art that goes with pure social ideals.

chirpy 生き生きとした
cripple 手足の不自由な人。他紙の立たない人。
insentience 無感覚な

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